Fire & Blood: From Aegon I to the Regency of Aegon III (ASOIAF- History)

152479628X.01._SX450_SY635_SCLZZZZZZZ_Fire & Blood by George R.R. Martin
My rating: 4 of 5 stars

The rise and fall of the Targaryens in Westeros over the course of 300 years is essentially the backstory for George R.R. Martin’s A Song of Ice and Fire series (aka Game of Thrones). Taking on the guise as a master of the Citadel, Martin’s Fire & Blood: From Aegon I to the Regency of Aegon III is the first volume of two detailing the history of the Targaryen dynasty and the unified Westeros they ruled that readers would first meet in A Game of Thrones.

Unlike the vast majority of the books concerning Westeros, Martin writes this one as a pure—yet fictional—history book, though with a clear narrative structure, detailing the lives of the Targaryens and the events that impacted their reigns from Aegon’s Conquest down to the Regency of his great-great-great-grandson Aegon III in the aftermath of The Dance of the Dragons. The book begins with a quick family history of the Targaryens with their flight from Valyria before the Doom and the century leading up to Aegon’s conquest of Westeros before delving into said conquest with his sister-wives. Then just a regular history book, the text goes into how the new realm was brought together and how the Targaryens attempted to bring Dorne into the realm during Aegon’s life. Next came the reigns of the Conqueror’s two sons showing how the new dynasty was tested once the founder was missing and the problems faith and cultures play when interacting with one another. Follow the death of Maegor the Cruel, the long reign of Jaehaerys I with considerable influence from his sister-wife queen Alysanne shows how dynasty’s rule was cemented even though seeds were planted for a crisis in the succession of the line that would explode in civil war after the death of their grandson Viserys I between his eldest daughter and her younger half-brother that would devastate the realm and basically kill off all the dragons—both human and creature—leaving a 10-year boy left to sit the Iron Throne.

Although around half the material in this book was a reprint from A World of Ice and Fire, “The Princess and the Queen, “The Rogue Prince”, and “Sons of the Dragon” it was all the new material and some retconned details of this 700 page book that is really interesting. The reign of Jaehaerys and Alysanne was essentially all new as was the details about how The Dance of the Dragons ended and the resulting multiple Regencies for Aegon III. Along with all this information, which fleshed out the backstory of Westeros even more, were parallels of characters from the main series—as well as the Dunk & Egg novels—with historical personages that appeared in this history that gives big fans thoughts to ponder about what might be in store with the former.

Overall Fire & Blood: From Aegon I to the Regency of Aegon III is a very good book for those fans of ASOIAF/GoT who look in-depth at their favorite series. Personally as fan of the series and being interested in the depth Martin gives his series, as well as big history read, this book was fantastic. Yet if you are a casual fan or simple a show fan that hasn’t read the books, this book isn’t for you.

A Song of Ice and Fire

Advertisements

Rogues

RoguesRogues by George R.R. Martin
My rating: 3.5 of 5 stars

Rogues, the short story anthology edited by George R.R. Martin and Gardner Dozois, contains over twenty stories of above average quality and wonderful use of the titular quality that connects all the stories. The twenty-one stories from several genres features significant characters as rogues no matter gender, species, and orientation from authors both well-known to general audiences and some note so.

Of the twenty-one stories featured in Rogues the three best not only were high quality writing and features very roguish characters, but also were able to introduce a reader into the already established universe they take place in that only enhanced the story. The opening story “Tough Times All Over” takes place within the First Law world that Joe Abercrombie established himself writing about, “The Inn of the Seven Blessings” by Matthew Hughes takes place with in the world of Archonate, and “A Cargo of Ivories” by Garth Nix takes place within the world of Sir Hereward and Mister Fitz. While these were the best, the stories by Joe R. Lansdale, Michael Stanwick, and Patrick Rothfuss set within an establish world they had create were also very good.

The stories especially created for this anthology is a mixture of the very good, the bad, and those that were just missing something. Daniel Abraham’s “The Meaning of Love”, David W. Ball’s “Provenance”, and Scott Lynch’s “A Year and A Day in Old Theradane” were wonderfully written stories in two separate genres that were in the top seven stories of the whole collection. “Now Showing” by Connie Willis is unfortunately one of the worst stories of the collection which was a shame considering that she wrote about several interesting ideas, but the execution with the characters crushed the story. Yet some of the stories while good and having roguish characters just felt like they were missing something: “Heavy Metal” was missing a fuller backstory to the main character and a better understanding of the supernatural powers at work yet once done could become a fascinating future series for Cherie Priest, and “The Curious Affair of the Dead Wives” was fantastic homage to Sherlock Holmes and John Watson by Lisa Tuttle that just felt it could have been more.

Yet some of the biggest disappointments in this collection were from established authors and their established series. The worst story of the collection is “A Better Way to Die” by Paul Cornell that takes place in his alternate history timeline that features the spy Johnathan Hamilton but the reader has no idea about the world if you had never read an earlier story that featured Hamilton. And my personal disappointment was “The Rogue Prince” that George R.R. Martin wrote as an Archmaester of the Citadel as a biography of Daemon Targaryen but was more of a history of the events leading up to The Dance of the Dragons that he told in “The Princess and the Queen”.

The twenty-one stories that make up Rogues feature–more than not–very good short stories from across genres whether in established worlds or one-offs. Yet like all anthologies, it is a mixed bag in quality and expectations, but often than not the reader will be satisfied after finishing these stories with time well spent in several wonderful settings following some very unscrupulous individuals.

Individual Story Ratings
Tough Times All Over by Joe Abercrombie (4.5/5)
What Do You Do? by Gillian Flynn (3.5/5)
The Inn of the Seven Blessings by Matthew Hughes (5/5)
Bent Twig by Joe R. Lansdale (4/5)
Tawny Petticoats by Michael Stanwick (4/5)
Provenance by David W. Ball (4/5)
Roaring Twenties by Carrie Vaughn (3/5)
A Year and A Day in Old Theradane by Scott Lynch (4/5)
Bad Brass by Bradley Denton (2.5/5)
Heavy Metal by Cherie Priest (3/5)
The Meaning of Love by Daniel Abraham (4/5)
A Better Way to Die by Paul Cornell (1/5)
Ill Seen in Tyre by Steven Saylor (3/5)
A Cargo of Ivories by Garth Nix (4.5/5)
Diamonds from Tequila by Walter Jon Williams (3/5)
The Caravan to Nowhere by Phyllis Eisenstein (2.5/5)
The Curious Affair of the Dead Wives by Lisa Tuttle (3/5)
How the Marquis Got His Coat Back by Neil Gaiman (3.5/5)
Now Showing by Connie Willis (2/5)
The Lightning Tree by Patrick Rothfuss (4/5)
The Rogue Prince, or, A King’s Brother by George R.R. Martin (2.5/5)

The Rogue Prince (ASOIAF- History)

RoguesThe Rogue Prince, or, A King’s Brother by George R.R. Martin
My rating: 2.5 out of 5 stars

One of the major political and military individuals in the Targaryen Civil War, also known as The Dance of the Dragons, Prince Dameon Targaryen etched his name into the history of Westeros well before he fought for his wife’s right to the Iron Throne. Living almost two hundred years before the main events of George R.R. Martin’s A Song of Ice and Fire, “The Rogue Prince” details the life of a man who was grandson and brother to kings as well as father and grandfather of kings in a line that leads to present.

Daemon Targaryen is a man whose actions would have ramifications for centuries to come, yet in his own biography he is overshadowed by the events and happenings that would lead to The Dance of the Dragons. Yet while most of the text focused on the background to the war Daemon would fight, events of his life that continued to shape Westeros were explored. After failed stints on the small council, Daemon would take charge of the city watch of King’s Landing and reform them to become the Gold Cloaks. Daemon’s alliance with House Velaryon in war, marriage, and politics that would have a profound effect on the later war and it’s aftermath. And Daemon’s rivalry with Hand of the King Otto Hightower over his brother entire reign that gave the King no end of trouble.

Written as a history of events leading up to The Dance in the form of a biography by an Archmaester of the Citadel, Martin mimics many popular biographies of the present day in writing this fictional history. Like many biographies of major players in the American Civil War in which the chain of events and movements that lead to the Civil War at times takes over the biography, Martin’s “The Rogue Prince” follows the lead up to the Targaryen Civil War more than the titular subject yet in a very intriguing way that makes the reader wish Marin might one day write an actual story of one of Daemon’s great adventures or misdeeds.

“The Rogue Prince” is both like and essentially a prequel to “The Princess and the Queen”, a vivid retelling of history of events that surprisingly do connect with George R.R. Martin’s main series as well. However, instead of following the promised roguish Daemon the history is not a biography but a backdoor history text that chronicles the events over the years that lead to The Dance of the Dragons. Thus even though an avid reader of history I enjoyed this piece, the focus away from the roguish titular character leaves something to be desired of the whole.

A Song of Ice and Fire

Dangerous Women 1

Dangerous Women 1Dangerous Women 1 by George R.R. Martin

My rating: 3 of 5 stars

The first subdivision of the Dangerous Women anthology edited by George R.R. Martin and Gardner Dozois is a mix bag of both story quality and the interpretation of the phrase ‘dangerous women’. In seven stories across genres around the central theme of women who are dangerous, a reader is treated to see women in various ways only but is also forced to figure out if the women presented or alluded to are actually dangerous.

Of the seven stories featured in Dangerous Women 1 the three best at presenting both a very good story and dangerous women were Carrie Vaugh’s “Raisa Stepanova”, Megan Abbott’s “My Heart Is Either Broken”, and George R.R. Martin’s “The Princess and the Queen”. Just outside these three was Cecelia Holland’s “Nora’s Song” which had a very good story but was seen from the perspective of a little girl finding out how dangerous her mother is. These four stories were at the very beginning and the last three stories of the collection giving the anthology a strong start and finish.

However, the three stories in the middle suffered from a failure of either not being very good or not having a dangerous woman. Both Megan Lindholm’s “Neighbors” and Joe R. Lansdale’s “Wrestling Jesus” were very good stories, but the danger posed by the women either featured or more mentioned then seen was hard to detect. But the weakest story of the entire collection was Lawrence Block’s “I Know How to Pick’em” which went from having potential to falling flat by the end.

Overall Dangerous Women 1 is a mixed bag of very good stories with strong female characters, just very good stories with no danger attached to any female character, and just plain bad all around. The best that could be said is in the end the reader is the ultimate judge.

Individual Story Ratings
Raisa Stepanova by Carrie Vaughn (4/5)
I Know How to Pick’em by Lawrence Block (1/5)
Neighbors by Megan Lindholm (2.5/5)
Wrestling Jesus by Joe R. Lansdale (2/5)
My Heart Is Either Broken by Megan Abbott (4/5)
Nora’s Song by Cecelia Holland (3.5/5)
The Princess and the Queen by George R.R. Martin (4/5)

View all my reviews

The Princess and the Queen (ASOIAF- History)

dw1The Princess and the Queen by George R.R. Martin
My rating: 4 out of 5 stars

The Targaryen civil war known as ‘The Dance of the Dragons’ was mythologized in Westeros by bards for almost two hundred years before the events of George R.R. Martin’s A Song of Ice and Fire. “The Princess and the Queen” offers the history of first great Targaryen civil war through the death of one of the titular characters, but unlike other Targaryen civil wars or rebellions that threatened the dynasty this one features dragons on both sides.

The titular characters were Rhaenyra Targaryen, eldest child of King Viserys I, and Viserys’ second wife Queen Alicent Hightower, mother of Viserys’ eldest son Aegon. These two dangerous women were rivals for one thing, the succession to the Iron Throne. Through oaths and proclamations Viserys had designated Rhaenyra as his heir but Alicent championed the right of her son Aegon to succeed as was Westerosi custom of sons over daughters. For years this feud was building up as Viserys grew older and everyone awaited his death with unease as it felt like a battle for the Iron Throne was sure to follow, a battle that would pit Targaryen dragons against one another.

Written as a history by an archmaester of the Citadel, Martin gives an account of ‘the Dance’ noting first the political intrigue by Queen Alicent and her father to crown her son as Aegon II, then the war of letters and ravens to gather support by the two claimants from all the great lords of the realm before inevitably blood was shed then gushed from almost every corner of the realm. Yet, while some of the narrative reads like a dry history some others describe the action of battles in such a way as to make your imagination view two or more dragons battling one another over sea and land, fighting to the death.

Although the military actions in “The Princess and the Queen” are dominated for the most part by men, it’s the decisions by Rhaenyra and to a lesser extent by Alicent throughout the conflict that make this civil war unlike any other in Westerosi history. Yet, the biggest result of this civil war wasn’t which line of succession won out but that at the end the Targaryen’s greatest claim to the Iron Throne was lost, the dragons. This factor alone has repercussions down to the time of the events of A Song of Ice and Fire in which dragons return to the world.

“The Princess and the Queen” is not like other ASOIAF related short stories, like Dunk & Egg, this is a vivid retelling of history of events that surprisingly do connect with George R.R. Martin’s main series as well as the novellas of Dunk & Egg. As a fan not only of ASOIAF material, but also an avid reader of history I really enjoyed this piece by Martin, even though it is actually much less than he originally wrote of the events of this time. But because of the heavy lean towards male characters in a collection focused on dangerous women, there is some downside.

A Song of Ice and Fire

The Mystery Knight (ASOIAF- Dunk & Egg #3)

warriors-1The Mystery Knight by George R.R. Martin
My rating: 5 out of 5 stars

Political intrigue and mystery are the essence of the third Dunk and Egg novella, “The Mystery Knight”. George R.R. Martin exposes the reader to the historical reality of the reign of King Aerys I as Ser Duncan ‘Dunk’ the Tall and his squire (Prince) Aegon “Egg” Targaryen stumble into a wedding and tournament full of supports of the Blackfyres and mysterious individuals.

The story begins soon after the events of The Sworn Sword, Dunk and Egg stumble upon various lords and hedge knights headed to the wedding of Lord Ambrose Butterwell to a daughter of Lord Frey of the Crossing. Not wanting to pass up a good meal, Dunk decides to go to the wedding and later to enter the tourney under a mystery knight moniker. However, Dunk isn’t the only one under a moniker as is the case with Ser John the Fiddler while another knight, Ser Glendon Ball, claims the name of a famous Blackfyre supporter. However, behind all this pomp and mysterious characters is a fantastical plot to take advantage of the hatred to the Hand of the King Lord Bloodraven and put a Blackfyre on the throne.

The Mystery Knight is the first of the novellas in which magical elements seen in the main books series are seen as well as two characters, one very well-known and the other just recently introduced. From the outset, this novella is very well paced and the growing mystery around the entire wedding of Lord Butterwell only increases the tension that Dunk and Egg find themselves. In the history of Westeros, Ser Duncan the Tall and the future Aegon V Targaryen are two of the most well known figures of recent memory and with the events of The Mystery Knight they leave their second big impact on the political landscape.

A Song of Ice and Fire

ASOIAF Chapter-by-Chapter Rating: A Dance with Dragons

Tower of the Hand, is a site dedicated to George R.R. Martin’s A Song of Ice and Fire book series as well as it’s adaptation HBO’s Game of Thrones.  As part of their site, they have chapter summaries for every chapter in every book and novella of the ASOIAF world.  On each summary page a site member can give their own personal rating for that chapter as a way to show how they liked or disliked the writing, the events, and etc.  So as part of my ASOIAF features here, I’m posting my personal chapter ratings for A Dance with Dragons.

  • Prologue — 9/10
  • Tyrion I — 8/10
  • Daenerys I — 7/10
  • Jon I — 8/10
  • Bran I — 8/10
  • Tyrion II — 7/10
  • The Merchant’s Man (Quentyn I) — 7/10
  • Jon II — 9/10
  • Tyrion III — 7/10
  • Davos I — 8/10
  • Jon III — 7/10
  • Daenerys II — 6/10
  • Reek I (Theon I) — 8/10
  • Bran II — 9/10
  • Tyrion IV — 6/10
  • Davos II — 7/10
  • Daenerys III — 7/10
  • Jon IV — 8/10
  • Tyrion V — 7/10
  • Davos III — 8/10
  • Reek II (Theon II) — 8/10
  • Jon V — 7/10
  • Tyrion VI — 7/10
  • Daenerys IV — 5/10
  • The Lost Lord (Jon Connington I) — 9/10
  • The Windblown (Quentyn II) — 7/10
  • The Wayward Bride (Asha I) — 8/10
  • Tyrion VII — 8/10
  • Jon VI — 8/10
  • Davos IV — 10/10
  • Daenerys V — 6/10
  • Melisandre I — 9/10
  • Reek III (Theon III) — 8/10
  • Tyrion VIII — 8/10
  • Bran III — 9/10
  • Jon VII — 7/10
  • Daenerys VI — 5/10
  • The Prince of Winterfell (Theon IV) — 8/10
  • The Watcher (Areo I) — 9/10
  • Jon VIII — 8/10
  • Tyrion IX — 6/10
  • The Turncloak (Theon V) — 8/10
  • The King’s Prize (Asha II) — 7/10
  • Daenerys VII — 5/10
  • Jon IX — 8/10
  • The Blind Girl (Arya I) — 8/10
  • A Ghost in Winterfell (Theon VI) — 8/10
  • Tyrion X — 8/10
  • Jaime I — 8/10
  • Jon X — 8/10
  • Daenerys VIII — 6/10
  • Theon VII — 9/10
  • Daenerys IX — 9/10
  • Jon XI — 8/10
  • Cersei I — 7/10
  • The Queensguard (Barristan I) — 8/10
  • The Iron Suitor (Victarion I) — 8/10
  • Tyrion XI — 8/10
  • Jon XII — 10/10
  • The Discarded Knight (Barristan II) — 7/10
  • The Spurned Suitor (Quentyn III) — 7/10
  • The Griffin Reborn (Jon Connington II) — 9/10
  • The Sacrifice (Asha III) — 8/10
  • Victarion II — 9/10
  • The Ugly Little Girl (Arya II) — 9/10
  • Cersei II — 9/10
  • Tyrion XII — 8/10
  • The Kingbreaker (Barristan III) — 9/10
  • The Dragontamer (Quentyn IV) — 8/10
  • Jon XIII — 9/10
  • The Queen’s Hand (Barristan IV) — 8/10
  • Daenerys X — 9/10
  • Epilogue — 10/10

Other Chapter-by-Chapter posts:
A Game of Thrones
A Clash of Kings
A Storm of Swords
A Feast for Crows
The Winds of Winter
A Dream of Spring