The fallout from the First Order’s destruction of the New Republic’s capital and the Resistance’s destruction of her enemy’s superweapon even as they look to bring Luke Skywalker back in William Shakespeare’s Jedi the Last by Ian Doescher. Beginning almost immediately after the previous film, the middle installment of the sequel trilogy finds the First Order looking to takeout the remnant of their opponents only this adaptation is not on screen or a book but on the stage in Elizabethan prose as Shakespeare would have written.
Adapting The Last Jedi was definitely the hardest Star Wars film that Doescher had to deal with because of the how awful the Rian Johnson written-direction film is. There is only so much Doescher could do to make this adaptation to make it readable, unlike The Phantom of Menace in which he only had to develop Jar Jar Binks. He had to salvage so many poorly written characters, including those long established like Leia and Luke as those newly introduced, that to even have this published in a timely manner meant he could only polish them so much. Since this is a review of the adaptation and not the film, I will applaud the excellent work Doescher did in making the at times bad dialogue into some more passable, the continuation of footnoting translations of Chewbecca’s few lines, and great narratives for the fight scenes. However I must also commend Doescher for the wonderful easter eggs in reference to James Bond, Rogue One, and yes the sly acknowledgements that Johnson underdeveloped or ruined so many characters in particular Rey.
Jedi the Last is the most controversial film of the franchise and Ian Doescher did the best job he could in making it into a passable stage play in the style of William Shakespeare. As a result my rating is celebration of Doescher’s hardwork and like the rest of the Star Wars fandom we look for to what he must deal with in Episode IX.